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Table of Contents

Introduction: Definitions, Themes, and Issues.

Into the Twentieth Century: Popular Music and Mass Culture. Rock 'n' Roll: The Birth of a New Era. Marketing and the Politics of Race, Language, and Gender. Regulating Popular Music.

1. Mass Technology and Popular Taste: The Tin Pan Alley Era.

Sound Recording: From the Cylinder to the Disc. Tin Pan Alley Constructs the Mainstream Tradition. Commercial Broadcasting: A Very Private Enterprise. Hollywood Bolsters Tin Pan Alley.

2. Blues and Country Music: Mass Media and the Construction of Race.

Blues and Country: More Equal Than Separate. “Race” Music: The Popular Sounds of Black America. “Hillbilly”: The Music of the White Working-Class. The Dissemination of Blues and Country: More Separate Than Equal. The Long Road Back for Records.

3. “Good Rockin' Tonight”: The Rise of Rhythm and Blues.

The Publishers and the Broadcasters: ASCAP vs. BMI. Enter the Deejay: The Broadcasters vs. the AFM. From Big Bands to Solo Singers. The Major Labels Reclaim Country Music. The Independents Promote Rhythm and Blues. High Fidelity/Low Overhead. Television and the Suppression of FM Broadcasting. Independent Radio: Deejays in Your Face.

4. Crossing Cultures: The Eruption of Rock 'n' Roll.

Cultural Diversity: The Roots of Rock 'n' Roll. Structural Changes in the Music Industry. Sounds of the Cities. Doo Wop: The Intersection of Gospel, Jazz, and Pop. Rockabilly: The Country Strain.

5. The Empire Strikes Back: The Reaction to Rock 'n' Roll.

The Established Powers Fight Back. Schlock Rock: Enter the White Middle Class. The Official Attack of Rock 'n' Roll. Surf's Up!

6. Popular Music and Political Culture: The Sixties.

The Civil Rights Movement and Popular Music. The British Invasion Occupies the Pop Charts. Breaking the Sounds of Silence. Against the Grain: The Counterculture.

7. Music vs. Markets: The Fragmentation of Pop.

The Music Industry: A Sound Investment. Creativity and Commerce: Rock as Art. Sweeter Soul Music. Singer/Songwriters, Soft Rock Solutions, and More. Women's Music: The Feminist Alternative. From Country Rock to Southern Boogie. Mad with Power: Heavy Metal. All That Glitters Doesn't Sell Gold.

8. Punk and Disco: The Poles of Pop.

Punk vs. Disco. Punk: Rock as (White) Noise. Disco: The Rhythm without the Blues.

9. Music Videos, Superstars, and Mega-Events: The Eighties.

Early Music Television: They Want Their MTV. Superstars: The Road to Economic Recovery. Charity Rock and Mega-Events: Who Is the World? Technology and the New International Music Industry.

10. Rap and Metal: Youth Culture and Censorship.

The Continuing History of Heavy Metal. Hip Hop, Don't Stop. Popular Music and the Politics of Censorship.

11. Alternative to What?: Packaging Pop in the Nineties

Alternative as Mainstream. Packaging Popular Music. The Internet: An Alternative (to the) Music Industry.

Bibliography.


Index.


Song Index.

Get Rockin' Out: Popular Music in the USA, 2nd Edition by Reebee Garofalo, University of Massachusetts at Boston

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